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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Telemann Georg Philipp

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Methodische Sonate No. 10 in B-flat Major, TWV 41: B5

By Telemann Georg Philipp

Telemann G.P.: Methodical sonata No 10 for flute (or violin) and continuo in B-flat Major.
Starting from 1720s Telemann started to acknowledge a need for more systematic approach to instrumental practice, containing more detailed instructions on performance, following traditions of Corelli and Albinoni. The Metodische Sonaten consists of two sets, each containing 6 sonatas of baroque ornamentation practices.

Overall Telemann composed 12 so-called Methodical sonatas. The first Sonate Metodische was published in 1728 when Telemann worked in Hamburg as Cantor and Music Director at five most prominent churches and was already very well established.
The second set of Methodical sonatas for violin solo or flute traverso was published in 1732.

Barthold Kuijken

Robert Kohnen (harpsichord), Wieland Kuijken (viola da gamba), 1994, Accent / Naxos

1. Largo

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Barthold Kuijken

Robert Kohnen (harpsichord), Wieland Kuijken (viola da gamba), 1994, Accent / Naxos

2. Allegro

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Barthold Kuijken

Robert Kohnen (harpsichord), Wieland Kuijken (viola da gamba), 1994, Accent / Naxos

3. Dolce

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Barthold Kuijken

Robert Kohnen (harpsichord), Wieland Kuijken (viola da gamba), 1994, Accent / Naxos

4. Vivace

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Barthold Kuijken

Robert Kohnen (harpsichord), Wieland Kuijken (viola da gamba), 1994, Accent / Naxos

5. Allegro

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Telemann Georg Philipp

Georg Philipp Telemann (1681-1767) was one of the most prolific German composers of all times. From over 3000 compositions he produced, almost half have been lost. He was highly regarded by composers of his time: J.S.Bach and Handel studied his published compositions, and his music was popular across all Europe.
Telemann was born in Magdeburg and became musician despite his mother’s pressure to become a lawyer. Instead, he became a professional musician, regularly composing for Leipzig’s main venues: St.Nicolas Church and St.Thomas.
In 1706 he entered the service of Duke Johann Wilhelm in Eisenach, the native town of J.S.Bach. After his wife’s death in 1711, Telemann moved to Frankfurt and became Kapellmeister at the St.Catherine’s Church and remarried three years later.

In 1721 he moved to Hamburg, accepting invitation to work as Kantor of city’s five largest churches.  His wife’s gambling debts almost let him into bankruptcy, but he managed to come through due to his successful music and poetry publications. After his separation from the wife, he dedicated more time to theoretical studies and gardening, a hobby shared by Handel as well.  
Telemann’s music greatly influenced composers of late Baroque and early Classical styles. Starting from 1710s he represented so-called German mixed style which combined German, French, Italian and Polish styles of that time.