Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Telemann Georg Philipp
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Handel, George Frideric
Leclair, Jean-Marie l'aîné
Marais, Marin
Müthel, Johann Gottfried
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Vivaldi, Antonio
Suite for flute and strings in A minor (TWV TWV 55: a2)
Fantasia No 1 for solo flute in A Major (TWV 40:2)
Fantasia No 2 for solo flute in A minor (TWV 40:3)
Fantasia No 3 for solo flute in B minor (TWV 40:4)
Fantasia No 4 for solo flute in B-flat Major (TWV 40:5)
Fantasia No 5 for solo flute in C Major (TWV 40:6)
Fantasia No 6 for solo flute in D minor (TWV 40:7)
Fantasia No 7 for solo flute in D Major (TWV 40:8)
Fantasia No 8 for solo flute in E minor (TWV 40:9)
Fantasia No 9 for solo flute in E Major (TWV 40:10)
Fantasia No 10 for solo flute in F-sharp minor (TWV 40:11)
Fantasia No 11 for solo flute in G Major (TWV 40:12)
G.P. Telemann: Suite in A minor for flute and strings was discovered and published only in 1936, based on 18th century manuscript which had no title page or date. Flute has solo part in all movements, except the Overture, where flute plays tutti. Suite in A minor for flute, strings and basso continuo was presumably written between 1712 and 1721 while Telemann was a Music director in Frankfurt. All 7 movements have French titles: 1 Ouverture, 2 Les Plaisirs, 3 Air a l'Italien, 4 Menuet 1&2, 5 Rejouissance, 6 Passpied 1&2, 7. Polonaise.
Latvian Philharmonic Chamber Orchestra, Carlo Jans (conductor). 2001, PAVANE Records
1. Ouverture, 2. Les plaisirs, 3. Air a l'Italienne, 4. Menuet I-II, 5. Rejouissance, 6. Passepied I-II, 7. Polonaise
Saar Chamber Orchestra, Karl Ristenpart (conductor), 1958. 2011 IDIS / NAXOS
1. Ouverture
Saar Chamber Orchestra, Karl Ristenpart (conductor), 1958. 2011 IDIS / NAXOS
2. Les plaisirs
Saar Chamber Orchestra, Karl Ristenpart (conductor), 1958. 2011 IDIS / NAXOS
3. Air a l'Italienne
Saar Chamber Orchestra, Karl Ristenpart (conductor), 1958. 2011 IDIS / NAXOS
4. Menuet I-II
Saar Chamber Orchestra, Karl Ristenpart (conductor), 1958. 2011 IDIS / NAXOS
5. Rejouissance
Saar Chamber Orchestra, Karl Ristenpart (conductor), 1958. 2011 IDIS / NAXOS
6. Passepied I-II
Saar Chamber Orchestra, Karl Ristenpart (conductor), 1958. 2011 IDIS / NAXOS
7. Polonaise
Georg Philipp Telemann (1681-1767) was one of the most prolific German composers of all times. From over 3000 compositions he produced, almost half have been lost. He was highly regarded by composers of his time: J.S.Bach and Handel studied his published compositions, and his music was popular across all Europe.
Telemann was born in Magdeburg and became musician despite his mother’s pressure to become a lawyer. Instead, he became a professional musician, regularly composing for Leipzig’s main venues: St.Nicolas Church and St.Thomas.
In 1706 he entered the service of Duke Johann Wilhelm in Eisenach, the native town of J.S.Bach. After his wife’s death in 1711, Telemann moved to Frankfurt and became Kapellmeister at the St.Catherine’s Church and remarried three years later.
In 1721 he moved to Hamburg, accepting invitation to work as Kantor of city’s five largest churches. His wife’s gambling debts almost let him into bankruptcy, but he managed to come through due to his successful music and poetry publications. After his separation from the wife, he dedicated more time to theoretical studies and gardening, a hobby shared by Handel as well.
Telemann’s music greatly influenced composers of late Baroque and early Classical styles. Starting from 1710s he represented so-called German mixed style which combined German, French, Italian and Polish styles of that time.