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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Uébayashi Yuko

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Le moment du Cristal" for flute and piano

By Uébayashi Yuko

Yuko Uebayashi: Le moment du Cristal for flute and piano was written in 2012. It was dedicated to the Japanese flutist Seiya Ueno ("À Sèiya Uèno"). The composer noted that the piece is an homage to the "purity" of Ueno's flute sound she first encountered hearing Ueno’s playing at the Rampal Flute Competition. When Uébayashi heard Ueno again in a flute master class by Marina Piccinini in spring 2012, she decided to compose a piece for him. Seiya Ueno premiered the piece at Kioi Hall in Tokyo, Japan, in September 2012.

"After sunset, the west side of the sky gets a gentle pink in a moment. A silence at the end of a day and a feeling of rebirth of tomorrow will cross there. I hope you will feel something like that at the end of the piece."

Yuko Uébayashi

“Uébayashi composes with imagery in two different ways. The first is the simple idea of imagery of things we can see and feel in our everyday life, for example, landscape, light, and paintings. The other is more emotionally based. She does not simply depict the images in her compositions, but rather transforms the inspiration she perceives from these images into emotions.”

Pei-San Chiu
"The flute music of Yuko Uebayashi: analytic study and discussion of selected Works", 2016

Seiya Ueno

2013, Denon

Le moment du Cristal

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Ion Bogdan Stefanescu

Mihai Ungureanu (piano), live performance, 2024

Le moment du Cristal

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Uébayashi Yuko

Yuko Uébayashi (1958) is a contemporary Japanese composer known for her deeply expressive, lyrical music that beautifully merges elements of French Impressionism with the subtle nuances of traditional Japanese music and the evocative power of film scores.
Born in Kitakyushu, Japan, Uébayashi began composing at a young age. Her first composition was a song inspired by a book about a disobedient dog and was performed on piano by herself in a party for her elementary class. This was the pivotal point where her talent in composition was first recognized.
Yuko Uebayashi’s formal music training started when she was accepted to Kyoto City University of Arts, where she majored in composition and studied with Ryohei Hirose and Komei Abe.
Uébayashi moved to Paris in 1998, a city that profoundly influenced her compositional style. The city’s vibrant artistic environment allowed her to refine a musical language that is often compared to the elegance of Debussy and Ravel. She only writes music for musicians with whom she feels a strong personal and artistic connection.
Uébayashi moved to Paris in 1998, a city that profoundly influenced her compositional style. The city’s vibrant artistic environment allowed her to refine a musical language that is often compared to the elegance of Debussy and Ravel. She only writes music for musicians with whom she feels a strong personal and artistic connection.
She is particularly known for her extensive output of flute music, including a full Sonata for Flute and Piano (2003) and numerous other chamber works.