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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Uébayashi Yuko

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Sonata for flute and piano

By Uébayashi Yuko

Yuko Uebayashi: Sonata for flute and piano was written in 2003. The sonata was commissioned by and dedicated to flutist Jean Ferrandis and pianist Emile Naoumoff, a testament to the "artistic kinship" the composer felt with the performers.
The first movement was entitled “Piece” and was first performed on December 13th, 2002, at Indiana University, Bloomington, United States. The world premiere of the entire piece was in February 2003 in Paris.

“Every time I hear Jean Ferrandis, I actually forget he’s playing the flute. For me, only his music exists. The charm, richness, and variety of his expression immediately fill me with
happiness. He ceaselessly speaks to me; he smiles, suffers, questions, and uses tenderness to console. Ferrandis is more than just a flutist; but is a real musician. This sonata was his gift to me”.

Yuko Uebayashi

Yuko Uebayashi had moved to Paris in 1998, and this vibrant environment significantly influenced her creativity. Her music from this period blends French impressionistic styles with the evocative essence of Japanese film music, a style once described by Carol Wincenc as "Debussy and Ravel Meet in Nippon". She drew inspiration from landscapes, light, and paintings, and only wrote music for musicians with whom she felt a strong connection, as was the case with Ferrandis and Naoumoff.

Jean Ferrandis

Emile Naoumoff (piano), 2007

1. Allegro di molto; 2. Andante; 3. Scherzo: Vivace; 4. Adagio – Allegro

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Uébayashi Yuko

Yuko Uébayashi (1958) is a contemporary Japanese composer known for her deeply expressive, lyrical music that beautifully merges elements of French Impressionism with the subtle nuances of traditional Japanese music and the evocative power of film scores.
Born in Kitakyushu, Japan, Uébayashi began composing at a young age. Her first composition was a song inspired by a book about a disobedient dog and was performed on piano by herself in a party for her elementary class. This was the pivotal point where her talent in composition was first recognized.
Yuko Uebayashi’s formal music training started when she was accepted to Kyoto City University of Arts, where she majored in composition and studied with Ryohei Hirose and Komei Abe.
Uébayashi moved to Paris in 1998, a city that profoundly influenced her compositional style. The city’s vibrant artistic environment allowed her to refine a musical language that is often compared to the elegance of Debussy and Ravel. She only writes music for musicians with whom she feels a strong personal and artistic connection.
Uébayashi moved to Paris in 1998, a city that profoundly influenced her compositional style. The city’s vibrant artistic environment allowed her to refine a musical language that is often compared to the elegance of Debussy and Ravel. She only writes music for musicians with whom she feels a strong personal and artistic connection.
She is particularly known for her extensive output of flute music, including a full Sonata for Flute and Piano (2003) and numerous other chamber works.