21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Uébayashi Yuko
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Yuko Uebayashi: Sonata for flute and piano was written in 2003. The sonata was commissioned by and dedicated to flutist Jean Ferrandis and pianist Emile Naoumoff, a testament to the "artistic kinship" the composer felt with the performers.
The first movement was entitled “Piece” and was first performed on December 13th, 2002, at Indiana University, Bloomington, United States. The world premiere of the entire piece was in February 2003 in Paris.
“Every time I hear Jean Ferrandis, I actually forget he’s playing the flute. For me, only his music exists. The charm, richness, and variety of his expression immediately fill me with
happiness. He ceaselessly speaks to me; he smiles, suffers, questions, and uses tenderness to console. Ferrandis is more than just a flutist; but is a real musician. This sonata was his gift to me”.
Yuko Uebayashi
Yuko Uebayashi had moved to Paris in 1998, and this vibrant environment significantly influenced her creativity. Her music from this period blends French impressionistic styles with the evocative essence of Japanese film music, a style once described by Carol Wincenc as "Debussy and Ravel Meet in Nippon". She drew inspiration from landscapes, light, and paintings, and only wrote music for musicians with whom she felt a strong connection, as was the case with Ferrandis and Naoumoff.
Emile Naoumoff (piano), 2007
1. Allegro di molto; 2. Andante; 3. Scherzo: Vivace; 4. Adagio – Allegro
Yuko Uébayashi (1958) is a contemporary Japanese composer known for her deeply expressive, lyrical music that beautifully merges elements of French Impressionism with the subtle nuances of traditional Japanese music and the evocative power of film scores.
Born in Kitakyushu, Japan, Uébayashi began composing at a young age. Her first composition was a song inspired by a book about a disobedient dog and was performed on piano by herself in a party for her elementary class. This was the pivotal point where her talent in composition was first recognized.
Yuko Uebayashi’s formal music training started when she was accepted to Kyoto City University of Arts, where she majored in composition and studied with Ryohei Hirose and Komei Abe.
Uébayashi moved to Paris in 1998, a city that profoundly influenced her compositional style. The city’s vibrant artistic environment allowed her to refine a musical language that is often compared to the elegance of Debussy and Ravel. She only writes music for musicians with whom she feels a strong personal and artistic connection.
Uébayashi moved to Paris in 1998, a city that profoundly influenced her compositional style. The city’s vibrant artistic environment allowed her to refine a musical language that is often compared to the elegance of Debussy and Ravel. She only writes music for musicians with whom she feels a strong personal and artistic connection.
She is particularly known for her extensive output of flute music, including a full Sonata for Flute and Piano (2003) and numerous other chamber works.