Classical
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Wagenseil Georg Christoph
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Sonate D-Dur, WV 513 for flute and and basso continuo
Georg Christoph Wagenseil: Sonate D-Dur, WV 513 for flute and basso continuo was written around the 1750s and reflects the transition from the late Baroque to the pre-Classical "Galant" style in Vienna. Written for transverse flute and basso continuo, it is typically performed with harpsichord (cembalo) and a cello or viola da gamba doubling the bass line.
This sonata illustrates his move away from the strict counterpoint of his teacher, Fux, toward the Galant style, characterized by clear phrasing, elegant melodies, and balanced themes.
Around the 1750s, Wagenseil was a central figure at the Viennese court, a pivotal predecessor to Haydn and Mozart. Wagenseil's chamber music was frequently intended for the high-ranking members of the Habsburg court and his prominent pupils, which included Marie Antoinette.
The sonata remained largely in manuscript form until it was published by Doblinger Music Publishers (Vienna) in 1972 as part of their Diletto Musicale series (No. 536), edited by Rudolf Scholz.
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
1. Allegro
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
2. Adagio
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
3. Allegro
Georg Christoph Wagenseil (1715–1777) was an influential Austrian composer, keyboardist, and teacher who served as a pivotal link between the Baroque and Classical eras in Vienna.
A lifelong resident of Vienna, Wagenseil became a court composer for the Habsburg Empress Maria Theresa in 1739. He held this prestigious position for nearly 40 years until his death. He was the keyboard instructor to the Empress’s daughters, including the future Marie Antoinette.
Wagenseil was highly regarded throughout Europe. He was a virtuoso organist and harpsichordist. His keyboard concertos and sonatas helped transition the harpsichord toward the early fortepiano. When the six-year-old Wolfgang Amadeus Mozart performed for the Empress in 1762, he famously asked for Wagenseil to be present at the keyboard to turn pages, acknowledging him as a master of the craft.
Wagenseil was a pioneer of the Galant style, which replaced complex Baroque counterpoint with light, elegant melodies and clear phrasing. He is also credited as a founder of the Viennese Pre-Classical School. His early symphonies (numbering nearly 100) were instrumental in developing the four-movement symphonic structure later perfected by Haydn and Mozart.