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Classical

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Wagenseil Georg Christoph

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

Sonate D-Dur, WV 513 for flute and and basso continuo

Sonate D-Dur, WV 513 for flute and and basso continuo

By Wagenseil Georg Christoph

Georg Christoph Wagenseil: Sonate D-Dur, WV 513 for flute and basso continuo was written around the 1750s and reflects the transition from the late Baroque to the pre-Classical "Galant" style in Vienna. Written for transverse flute and basso continuo, it is typically performed with harpsichord (cembalo) and a cello or viola da gamba doubling the bass line.
This sonata illustrates his move away from the strict counterpoint of his teacher, Fux, toward the Galant style, characterized by clear phrasing, elegant melodies, and balanced themes.
Around the 1750s, Wagenseil was a central figure at the Viennese court, a pivotal predecessor to Haydn and Mozart. Wagenseil's chamber music was frequently intended for the high-ranking members of the Habsburg court and his prominent pupils, which included Marie Antoinette.
The sonata remained largely in manuscript form until it was published by Doblinger Music Publishers (Vienna) in 1972 as part of their Diletto Musicale series (No. 536), edited by Rudolf Scholz.

Christina Fassbender

Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH

1. Allegro

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Christina Fassbender

Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH

2. Adagio

00:00
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Christina Fassbender

Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH

3. Allegro

00:00
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Wagenseil Georg Christoph

Georg Christoph Wagenseil (1715–1777) was an influential Austrian composer, keyboardist, and teacher who served as a pivotal link between the Baroque and Classical eras in Vienna.
A lifelong resident of Vienna, Wagenseil became a court composer for the Habsburg Empress Maria Theresa in 1739. He held this prestigious position for nearly 40 years until his death. He was the keyboard instructor to the Empress’s daughters, including the future Marie Antoinette.
Wagenseil was highly regarded throughout Europe. He was a virtuoso organist and harpsichordist. His keyboard concertos and sonatas helped transition the harpsichord toward the early fortepiano. When the six-year-old Wolfgang Amadeus Mozart performed for the Empress in 1762, he famously asked for Wagenseil to be present at the keyboard to turn pages, acknowledging him as a master of the craft.
Wagenseil was a pioneer of the Galant style, which replaced complex Baroque counterpoint with light, elegant melodies and clear phrasing. He is also credited as a founder of the Viennese Pre-Classical School. His early symphonies (numbering nearly 100) were instrumental in developing the four-movement symphonic structure later perfected by Haydn and Mozart.