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20th century

Baroque

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20th century

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Solo repertoire

Piccolo

Alto flute

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Weigl Vally

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

Copland, Aaron

Corigliano, John

Cortese, Luigi

Currier, Sebastian

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

Davidovsky, Mario

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Debussy, Claude

Del Tredici, David

DeLaney, Charles Oliver

Delerue, Georges

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Dèsbriere, Jacques

Dick, Robert

Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

Dukas, Paul

Durey, Louis

Dutilleux, Henri

Enescu, George

Farkas, Ferenc

Feld, Jindřich

Ferroud, Pierre-Octave

Flothuis, Marius

Folio, Cynthia

Foote, Arthur

Foss, Lukas

Françaix, Jean

Fukushima, Kazuo

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Gál, Hans

Gaubert, Philippe

Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

Griffes, Charles Tomlinson

Grinblat, Romuald

Grovlez, Gabriel

Guarnieri, Mozart Camargo

Gubajdulina, Sofia

Hahn, Reynaldo

Hailstork, Adolphus

Halphen, Fernand

Hanson, Howard Harold

Harberg, Amanda

Harbison, John

Harsányi, Tibor

Harty, Hamilton

Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

Hindemith, Paul

Holliger, Heinz

Holmboe, Vagn

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Hüe, Georges Adolphe

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Ibert, Jacques

Ichiyanagi, Toshi

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Karg-Elert, Sigfrid

Kay, Ulysses

Kelterborn, Rudolf

Ķeniņš, Tālivaldis

Kennan, Kent Wheeler

Kennedy, Martin

Kernis, Aaron Jay

Khachaturian, Aram

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Kodaly, Zoltan

Koechlin, Charles

Kornauth, Egon

Kraft, Leo

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Kupferman, Meyer

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Lauber, Joseph

Lavista, Mario

Lee, Eugene

Leeuwen, Ary van

Levinson, Gerald

Liebermann, Lowell

Loudova, Ivana

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Maresz, Yan

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Martinů, Bohuslav

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Mouquet, Jules

Mower, Mike

Muczynski, Robert

Nielsen, Carl

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Offermans, Wil

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Piazzolla, Astor

Piston, Walter

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Ran, Shulamit

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Rivier, Jean

Rodrigo, Joaquin

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Schulhoff, Erwin

Schwantner, Joseph

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Shostakovich, Dmitri

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Smit, Leo

Tailleferre, Germaine

Takemitsu, Tōru

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Tansman, Alexandre

Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

"Oiseau de la vie" for solo flute

"Oiseau de la vie" for solo flute

By Weigl Vally

Vally Weigl: “Oiseau de la vie” (Bird of Life) for solo flute was written in 1979 and it was one of the final works of Vally Weigl.

Each of the movements is dedicated to birds singing at different stages of the day, from night to dawn, noon, and dusk. The monodic writing avoids exaggerated chromatism and extreme contrasts, suggesting instead clear tonalities that are often unchanged throughout the piece.

Birgit Ramsl

2022, Naxos

1. Sweet Bird of the Night 2. Joyful Bird at Dawn 3. Enchanted Bird at Noon 4. Bird's Farewell to the Seting Sun

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Weigl Vally

Vally Weigl (1894 – 1982) was Austrian – American composer and music therapist. Born in Vienna, she studied piano with Richard Robert, composition with Karl Weigl, and musicology with Guido Adler at Vienna University. She married her professor Karl Weigl in 1921 and emigrated to the US in 1938 after the National Socialists seized power in Austria. In exile, Vally began to compose more extensively and from the middle of the 1950s developed her method of musical therapy which she practiced at the New York Medical College. Her compositions, strongly linked to nature were intended both as educational material for disabled children and for concert performance.