21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Widmann Jörg
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Flûte en suite" Concerto for flute and orchestra
J. Widmann: "Flûte en suite" was composed in 2011 and premiered by flutist Joshua Smith and the Cleveland Orchestra on May 26, 2011, led by conductor Franz Welser-Möst.
The flute concerto was commissioned by The Cleveland Orchestra through the Young Composers Fund.
"This suite is not one of my 'epic' instrumental concertos, such as the concertos for cello, violin, or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion, and then sink back to the bottom.
Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass, etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.
This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant.
This first performance marks the conclusion of my two-year residence with The Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flutist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite."
Jörg Widmann
Franz Welser-Möst (conductor), the Cleveland Orchestra, 2011
1. Allemande, 2. Sarabande, 3. Choral I, 4. Courante, 5. Choral II, 6. Venezianisches Gondellied (Barcarole), 7. Cadenza, 8. Badinerie
Jörg Widmann (1973) is a renowned German clarinetist, composer, and conductor. Born in Munich, he studied clarinet at the Hochschule für Musik in Munich with Gerd Starke and later with Charles Neidich at the Juilliard School in New York.
Widmann studied composition with Kay Westermann, Wilfried Hiller, and Wolfgang Rihm. His compositions are performed regularly by conductors such as Daniel Barenboim, Daniel Harding, Valery Gergiev, Kent Nagano, Christian Thielemann, Mariss Jansons, Andris Nelsons, and Simon Rattle, and premiered by orchestras such as the Wiener and Berliner Philharmoniker, New York Philharmonic, Orchestre de Paris, BBC Symphony Orchestra, and many others. Jörg Widmann has received many awards, including the Berliner Philharmoniker Academy’s Claudio Abbado Composition Award in 2006.
His music has been described as varied and imaginative. According to Bachtrack, Widmann was the third most performed living contemporary composer in the world in 2023, behind John Williams and Arvo Pärt.
He has taught clarinet and composition at the University of Music Freiburg, and is a composition professor at the Barenboim–Said Akademie in Berlin.
Among his most noteworthy compositions: the concert overture Con brio, the opera Babylon, an oratorio Arche, the Viola Concerto, the Kantate, and the trumpet concerto Towards Paradise.
He has been Composer in Residence for the Berlin Philharmonic, Gewandhaus Orchester Leipzig, and the Cleveland Orchestra.