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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Widmann Jörg

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Flûte en suite" Concerto for flute and orchestra

By Widmann Jörg

J. Widmann: "Flûte en suite" was composed in 2011 and premiered by flutist Joshua Smith and the Cleveland Orchestra on May 26, 2011, led by conductor Franz Welser-Möst.
The flute concerto was commissioned by The Cleveland Orchestra through the Young Composers Fund.

"This suite is not one of my 'epic' instrumental concertos, such as the concertos for cello, violin, or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion, and then sink back to the bottom.

Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass, etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.
This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant.
This first performance marks the conclusion of my two-year residence with The Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flutist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite."

Jörg Widmann

Joshua Smith

Franz Welser-Möst (conductor), the Cleveland Orchestra, 2011

1. Allemande, 2. Sarabande, 3. Choral I, 4. Courante, 5. Choral II, 6. Venezianisches Gondellied (Barcarole), 7. Cadenza, 8. Badinerie

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Widmann Jörg

Jörg Widmann (1973) is a renowned German clarinetist, composer, and conductor. Born in Munich, he studied clarinet at the Hochschule für Musik in Munich with Gerd Starke and later with Charles Neidich at the Juilliard School in New York.
Widmann studied composition with Kay Westermann, Wilfried Hiller, and Wolfgang Rihm. His compositions are performed regularly by conductors such as Daniel Barenboim, Daniel Harding, Valery Gergiev, Kent Nagano, Christian Thielemann, Mariss Jansons, Andris Nelsons, and Simon Rattle, and premiered by orchestras such as the Wiener and Berliner Philharmoniker, New York Philharmonic, Orchestre de Paris, BBC Symphony Orchestra, and many others. Jörg Widmann has received many awards, including the Berliner Philharmoniker Academy’s Claudio Abbado Composition Award in 2006.
His music has been described as varied and imaginative. According to Bachtrack, Widmann was the third most performed living contemporary composer in the world in 2023, behind John Williams and Arvo Pärt.
He has taught clarinet and composition at the University of Music Freiburg, and is a composition professor at the Barenboim–Said Akademie in Berlin.
Among his most noteworthy compositions: the concert overture Con brio, the opera Babylon, an oratorio Arche, the Viola Concerto, the Kantate, and the trumpet concerto Towards Paradise.
He has been Composer in Residence for the Berlin Philharmonic, Gewandhaus Orchester Leipzig, and the Cleveland Orchestra.