21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Widmann Jörg
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Petite Suite for Flute (with Bass Flute Obbligato and Gong)
J. Widmann: Petite Suite for solo flute was written in 2016 as a three-movement work in memory of the Swiss flautist Aurèle Nicolet. The world premiere took place on 19 March, as part of a concert in Freiburg, which was dedicated to Nicole, who had died shortly before.
The piece was premiered by Emmanuel Pahud (flute), a pupil of Nicolet, and Mario Caroli (bass flute).
The composition is for solo flute but also includes optional instrumentation for bass flute and a bossed gong – both instruments require only one additional player.
2018, Warner Classics / Parlophone
1. Allemande, 2. Lamento, 3. Sarabande (mit obligater Bassflöte und Gong)
Jörg Widmann (1973) is a renowned German clarinetist, composer, and conductor. Born in Munich, he studied clarinet at the Hochschule für Musik in Munich with Gerd Starke and later with Charles Neidich at the Juilliard School in New York.
Widmann studied composition with Kay Westermann, Wilfried Hiller, and Wolfgang Rihm. His compositions are performed regularly by conductors such as Daniel Barenboim, Daniel Harding, Valery Gergiev, Kent Nagano, Christian Thielemann, Mariss Jansons, Andris Nelsons, and Simon Rattle, and premiered by orchestras such as the Wiener and Berliner Philharmoniker, New York Philharmonic, Orchestre de Paris, BBC Symphony Orchestra, and many others. Jörg Widmann has received many awards, including the Berliner Philharmoniker Academy’s Claudio Abbado Composition Award in 2006.
His music has been described as varied and imaginative. According to Bachtrack, Widmann was the third most performed living contemporary composer in the world in 2023, behind John Williams and Arvo Pärt.
He has taught clarinet and composition at the University of Music Freiburg, and is a composition professor at the Barenboim–Said Akademie in Berlin.
Among his most noteworthy compositions: the concert overture Con brio, the opera Babylon, an oratorio Arche, the Viola Concerto, the Kantate, and the trumpet concerto Towards Paradise.
He has been Composer in Residence for the Berlin Philharmonic, Gewandhaus Orchester Leipzig, and the Cleveland Orchestra.