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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Witt Carl

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"This Invisible World" for flute and piano

"This Invisible World" for flute and piano

By Witt Carl

Carl Witt: "This Invisible World" for flute and piano was written around 2010-2011 and dedicated to the blind. It was specifically commissioned by the international flute soloist Wissam Boustany. Boustany actively approached the American composer and fellow flutist Carl Witt to craft a work that could serve as both a complex musical exploration and a advocacy tool. Both Carl Witt and Wissam Boustany shared a deep fascination with the sensory mechanics of visual impairment. Specifically, they wanted to honor the unique capacity of blind individuals to discover profound inner meanings, structures, and textures that remain completely abstract or "invisible" to the sighted world.
The piece was intentionally adopted by Boustany to act as a major flagship catalyst for his global charity initiative, Towards Humanity. A portion of the proceeds from the project's tracking and album distribution directly benefits organizations supporting the blind and visual wellness, such as the SOS Children's Villages UK.
Musically, the composition is an exercise in translating purely tactile and atmospheric spatial awareness into an auditory journey. The composition relies heavily on a post-minimalist structural blueprint. It begins softly, constructing a sonic architecture out of a single short, recurring melodic motif. As the piece moves forward, Witt manipulates the flute and piano registers to create multi-layered acoustic environments—evoking an "aura of unseen beauty" where sound wave physicalities must literally be heard to be felt. The score gradually increases in sheer dynamic intensity and rhythmic urgency before pivoting into an intensely calm, deeply reflective movement of ultimate quietude. This dynamic arc simulates the process of retreating from external chaos into the rich, vast universe of the human mind.
True to Boustany and Szram’s signature performance standard, this piece (which spans 14 minutes and 28 seconds) is traditionally performed completely from memory, heightening the raw, sensory reliance on acoustic feedback and touch.

Wissam Boustany

Aleksander Szram (piano), 2011, Wyastone Estate Limited

This Invisible World

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Witt Carl

Carl Witt (1959) is an American pianist and composer. Raised in Kalamazoo, Michigan, he studied at the Western Michigan University and later at the Southern Methodist University in Dallas, Texas.
Witt finalized his elite academic training at the world-renowned Eastman School of Music, where he was awarded a Doctor of Musical Arts (DMA) in composition and applied piano in 1988, taking home the institution's highly coveted top composition prize.
He studied composition with Joseph Schwantner, Samuel Adler, Warren Benson, Ramon Zupko, and Sydney Hodkinson.
Carl Witt’s style bridges the structural complexity of contemporary academic music with deeply expressive, tactile, and meditative environments. He masterfully utilizes recurring, rhythmic, or melodic motifs that bloom into expansive emotional landscapes, as seen in his highly acclaimed solo piano works. He frequently writes music designed to touch upon human advocacy, multimedia dance, or sensory experiences beyond standard notation.
Among his most notable compositions: Quiet Mind: A critically acclaimed commercial album of deeply therapeutic solo piano meditations, as well as several compositions for flute and piano: Blessing; The Invisible World, and Suite for Flute and Piano.