21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Woolf Randall
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Randall Woolf: "The Angel Of The Odd" concerto for flute and orchestra was written in 2016. The piece was premiered by Tara Helen O'Connor, flute, and Ransom Wilson, conductor, with the SUNY Purchase Symphony Orchestra.
“So much of the music I've written and listened to lately has a very regular, machine-like rhythm...music played by machines, or by people playing like machines. I love a lot of it, but am really getting tired of it, and have been looking for new sources for rhythmic ideas. I have found many of them in what you might call "pre-country" music: mountain music, early blues, fiddlers, and guitar-playing solo singers. There are small hiccups in the rhythms and pitches too, that seem haphazard at first, but in the end are very precise and precisely repeated. It's a kind of microscopic rhythmic detail that really enlivens the texture of the music. I am also fascinated by the simple, fateful-sounding song forms, two sections alternating in a way that lends a sense of gravity and premonition to the mood. I wanted to capture this and more in my concerto. In hunting for a title that would capture the 'tales told round the campfire' tone of the piece, I bumped into a short story by Edgar Allen Poe called "The Angel Of The Odd." The story has nothing to do with the piece, but I thought the title fit the piece, and decided to borrow it.”
Randall Woolf
Score available from the composer at randy.woolf@gmail.com
Ransom Wilson (conductor), SUNY Purchase Symphony Orchestra, March 21, 2017, premiere
The Angel Of The Odd
Randall Woolf (1959) is an American composer who studied composition privately with David Del Tredici, Joseph Maneri, and at Harvard, where he earned a Ph.D. He was Composer/Mentor for the Brooklyn Philharmonic. He composed a new ballet of "Where the Wild Things Are", in collaboration with Maurice Sendak and Septime Webre. He works frequently with John Cale. He collaborated with him on the music to the film "American Psycho", and has arranged over 60 of Cale's songs for chamber orchestra, including the entire "Paris 1919" album,"Music For A New Society", and songs from "The Velvet Underground And Nico". His works have been performed by Kathleen Supové, Jennifer Choi, Timothy Fain, Todd Reynolds, ETHEL, Ransom Wilson, Tara O'Connor, Lindsey Goodman, the Brooklyn Philharmonic, Kronos Quartet, Bang On A Can, Fulcrum Point, American Composers Orchestra, NakedEye Ensemble, Seattle Symphony, Louisville Orchestra, West Michigan Symphony, Chicago Philharmonic and others.