This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Woolf Randall

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

The Angel Of The Odd

By Woolf Randall

Randall Woolf: "The Angel Of The Odd" concerto for flute and orchestra was written in 2016. The piece was premiered by Tara Helen O'Connor, flute, and Ransom Wilson, conductor, with the SUNY Purchase Symphony Orchestra.

“So much of the music I've written and listened to lately has a very regular, machine-like rhythm...music played by machines, or by people playing like machines. I love a lot of it, but am really getting tired of it, and have been looking for new sources for rhythmic ideas. I have found many of them in what you might call "pre-country" music: mountain music, early blues, fiddlers, and guitar-playing solo singers. There are small hiccups in the rhythms and pitches too, that seem haphazard at first, but in the end are very precise and precisely repeated. It's a kind of microscopic rhythmic detail that really enlivens the texture of the music. I am also fascinated by the simple, fateful-sounding song forms, two sections alternating in a way that lends a sense of gravity and premonition to the mood. I wanted to capture this and more in my concerto. In hunting for a title that would capture the 'tales told round the campfire' tone of the piece, I bumped into a short story by Edgar Allen Poe called "The Angel Of The Odd." The story has nothing to do with the piece, but I thought the title fit the piece, and decided to borrow it.”

Randall Woolf

Score available from the composer at randy.woolf@gmail.com 

Tara Helen O'Connor

Ransom Wilson (conductor), SUNY Purchase Symphony Orchestra, March 21, 2017, premiere

The Angel Of The Odd

00:00
YouTube icon

Woolf Randall

Randall Woolf (1959) is an American composer who studied composition privately with David Del Tredici, Joseph Maneri, and at Harvard, where he earned a Ph.D. He was Composer/Mentor for the Brooklyn Philharmonic. He composed a new ballet of "Where the Wild Things Are", in collaboration with Maurice Sendak and Septime Webre. He works frequently with John Cale. He collaborated with him on the music to the film "American Psycho", and has arranged over 60 of Cale's songs for chamber orchestra, including the entire "Paris 1919" album,"Music For A New Society", and songs from "The Velvet Underground And Nico". His works have been performed by Kathleen Supové, Jennifer Choi, Timothy Fain, Todd Reynolds, ETHEL, Ransom Wilson, Tara O'Connor, Lindsey Goodman, the Brooklyn Philharmonic, Kronos Quartet, Bang On A Can, Fulcrum Point, American Composers Orchestra, NakedEye Ensemble, Seattle Symphony, Louisville Orchestra, West Michigan Symphony, Chicago Philharmonic and others.