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Classical

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Wunderlich Johann Georg

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

Sonate F-Dur No. 6 for flute and basso continuo

Sonate F-Dur No. 6 for flute and basso continuo

By Wunderlich Johann Georg

Johann Georg Wunderlich: Sonate F-Dur No. 6 for flute and basso continuo was published in 1787 as part of six sonatas, Six Sonates pour une Flûte avec accompagnement de Basse, published as Op. 1.
The Op. 1 collection was dedicated to Monsieur le Comte d’Angiviller (Charles-Claude Flahaut de la Billarderie), a prominent French arts administrator and director of the King's Buildings under Louis XVI.
Composed shortly before the French Revolution, this sonata exemplifies the "Galant" style of the late 18th-century Parisian school. While it uses the traditional Baroque basso continuo format, the melodic phrasing and harmonic clarity point toward the maturing Classical period.
Wunderlich was a key figure in the development of the French Flute School at the Paris Conservatoire. This sonata reflects the refined ornamentation and structural elegance he inherited from his teacher, Félix Rault. As a professor at the newly founded Paris Conservatoire (starting in 1795), Wunderlich utilized these early sonatas to establish standardized technical and expressive goals for flute students in France.

Christina Fassbender

Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH

1. Allegro moderato

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Christina Fassbender

Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH

2. Andante

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Christina Fassbender

Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH

3. Allegro poco Presto

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Wunderlich Johann Georg

Johann Georg Wunderlich (1755–1819) was a celebrated German flutist, composer, and influential professor at the Paris Conservatoire, recognized as a pivotal figure in the development of the French Flute School.
Born in Bayreuth, Germany, he received musical education from his father, an oboist in the chapel of the Markgraf of Ansbach.
In 1776, at age 21, Wunderlich moved to Paris to pursue advanced flute studies with Félix Rault, who was then the leading flutist of the Paris Opéra. Wunderlich quickly established himself in Paris, joining the Concert Spirituel orchestra in 1778. In 1781, he was appointed second flutist at the Paris Opéra and rose to principal flutist in 1787 (succeeding his teacher, Rault), a prestigious post he held until 1813.
He was a founding professor at the Paris Conservatoire (established in 1795). He held the sole professorship for flute from 1803 to 1816, training the next generation of French masters, including Jean-Louis Tulou and Benoît Tranquille Berbiguier.
His most enduring legacy is the Méthode de Flûte du Conservatoire
(1804). Originally started by his colleague Antoine Hugot, Wunderlich completed and published the work, which became the standardized pedagogy for nineteenth-century flute instruction.
His compositions, such as his Sonate in F major, represent the refined late 18th-century "Galant" style. While they utilized the traditional basso continuo, they were technically brilliant and designed to demonstrate the increased expressive and tonal range of the flute during the transition from the Baroque to the Classical era.