Classical
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Wunderlich Johann Georg
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Sonate F-Dur No. 6 for flute and basso continuo
Johann Georg Wunderlich: Sonate F-Dur No. 6 for flute and basso continuo was published in 1787 as part of six sonatas, Six Sonates pour une Flûte avec accompagnement de Basse, published as Op. 1.
The Op. 1 collection was dedicated to Monsieur le Comte d’Angiviller (Charles-Claude Flahaut de la Billarderie), a prominent French arts administrator and director of the King's Buildings under Louis XVI.
Composed shortly before the French Revolution, this sonata exemplifies the "Galant" style of the late 18th-century Parisian school. While it uses the traditional Baroque basso continuo format, the melodic phrasing and harmonic clarity point toward the maturing Classical period.
Wunderlich was a key figure in the development of the French Flute School at the Paris Conservatoire. This sonata reflects the refined ornamentation and structural elegance he inherited from his teacher, Félix Rault. As a professor at the newly founded Paris Conservatoire (starting in 1795), Wunderlich utilized these early sonatas to establish standardized technical and expressive goals for flute students in France.
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
1. Allegro moderato
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
2. Andante
Gregor Hollmann (harpsichord), 2022, ambitus / Kontor New Media GmbH
3. Allegro poco Presto
Johann Georg Wunderlich (1755–1819) was a celebrated German flutist, composer, and influential professor at the Paris Conservatoire, recognized as a pivotal figure in the development of the French Flute School.
Born in Bayreuth, Germany, he received musical education from his father, an oboist in the chapel of the Markgraf of Ansbach.
In 1776, at age 21, Wunderlich moved to Paris to pursue advanced flute studies with Félix Rault, who was then the leading flutist of the Paris Opéra. Wunderlich quickly established himself in Paris, joining the Concert Spirituel orchestra in 1778. In 1781, he was appointed second flutist at the Paris Opéra and rose to principal flutist in 1787 (succeeding his teacher, Rault), a prestigious post he held until 1813.
He was a founding professor at the Paris Conservatoire (established in 1795). He held the sole professorship for flute from 1803 to 1816, training the next generation of French masters, including Jean-Louis Tulou and Benoît Tranquille Berbiguier.
His most enduring legacy is the Méthode de Flûte du Conservatoire
(1804). Originally started by his colleague Antoine Hugot, Wunderlich completed and published the work, which became the standardized pedagogy for nineteenth-century flute instruction.
His compositions, such as his Sonate in F major, represent the refined late 18th-century "Galant" style. While they utilized the traditional basso continuo, they were technically brilliant and designed to demonstrate the increased expressive and tonal range of the flute during the transition from the Baroque to the Classical era.