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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Yi Chen

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Memory" for solo flute

By Yi Chen

Chen Yi: "Memory" for solo flute was written in 2011, originally composed for solo violin. The work is a tribute to Chen Yi's mentor and violin teacher, Professor Lin Yaoji, following his death in 2009.
The flute adaptation was completed and published in 2016 in collaboration with flutist Mary Holzhausen.

In her program notes, the composer describes the music as her "painful cry" out of the professor's name in their shared Cantonese dialect, expressing her deep sorrow and gratitude for his "fatherly mentorship".
The piece blends Western solo flute performance with traditional Chinese musical influences. It utilizes specific techniques to mirror Chinese instrumental expressions, including pitch bending, unique ornamentations, and varied vibrato.
Around 2011, Chen Yi was serving as the Missouri Distinguished Professor of Composition at the University of Missouri-Kansas City Conservatory.

Alexa Still

Live performance, 2025

Memory

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Yi Chen

Chen Yi (1953) is an internationally acclaimed Chinese-American composer and educator. She is celebrated for her unique musical language that seamlessly blends the soundscapes and philosophies of traditional Chinese music with the structural rigor of the Western avant-garde.
Born in Guangzhou, China, Chen Yi began playing violin and piano at age three. Her training was violently interrupted by the Cultural Revolution (1966–1976). At age 15, she was sent to the countryside to perform grueling manual labor for several years. During this time, she practiced her violin with a mute to avoid being overheard, eventually incorporating Chinese folk songs into her playing. This experience became the foundation of her "East-meets-West" aesthetic.
In 1977, she entered the Central Conservatory of Music in Beijing, becoming the first woman in China to receive a Master of Arts in composition.
In 1986, she moved to New York to study at Columbia University with Chou Wen-chung and Mario Davidovsky, earning her DMA in 1993. Since 1998, she has served as the Lorena Cravens/Millsap/Missouri Distinguished Professor of Composition at the University of Missouri-Kansas City (UMKC) Conservatory.
Chen Yi's music is characterized by its rhythmic vitality, structural complexity, and deeply personal narratives.
She frequently utilizes Chinese folk melodies, Beijing Opera vocalizations, and traditional instrumental gestures (like the slides of the pipa or erhu) translated through Western orchestral and chamber instruments.